The Oxford History of World Cinema

The Oxford History of World Cinema[KINDLE] ❄ The Oxford History of World Cinema Author Geoffrey Nowell-Smith – Oaklandjobs.co.uk From its humble beginnings as a novelty in a handful of cities, cinema has risen to become a billion dollar industry and the most spectacular and original contemporary art form In The Oxford History o From its History of eBook ´ humble beginnings as a novelty in a handful of cities, cinema has risen to become a billion dollar industry and the most spectacular and original contemporary art form In The Oxford History of World Cinema, an international team of film historians traces the history of this enduringly popular entertainment medium Covering all aspects of its development, stars, studios, and cultural impact, the book celebrates The Oxford PDF \ and chronicles over one hundred years of diverse achievement from westerns to the New Wave, from animation to the avant garde, and from Hollywood to Hong Kong The Oxford History of World Cinema tells the story of the major inventions and developments in the cinema business, its institutions, genres, and personnel, and they outline the evolution of national cinemas round the world the varied and distinctive film Oxford History of MOBI ☆ traditions that have developed alongside Hollywood A unique aspect of the book are the special inset features on the film makers and personalities Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman who have had an enduring impact in popular memory and cinematic lore With overillustrations, a full bibliography, and an extensive index, this is the buff s ultimate guide to cinema worldwide. . Actually an impressive achievement, though no single film survey reference book is ever definitive, and this certainly isn t, but the number of name scholars and experts employed for the entries is staggering, and the organization is glitzy and attractive in a comforting compartmentalized way rather than for mere show A copy of this is available to borrow online at archive.org, and if you hunt around enough you might find a downloadable PDF I wouldn t mind having a hard copy but it s not a pri Actually an impressive achievement, though no single film survey reference book is ever definitive, and this certainly isn t, but the number of name scholars and experts employed for the entries is staggering, and the organization is glitzy and attractive in a comforting compartmentalized way rather than for mere show A copy of this is available to borrow online at archive.org, and if you hunt around enough you might find a downloadable PDF I wouldn t mind having a hard copy but it s not a priority Below are some notes I made about this guide a few years ago The Oxford History of World Cinema, by Geoffrey Nowell Smith ed , 1996, Oxford University Press, Oxford, England an improved revision of 1976 s The Oxford Companion to Film Densely packed and useful, though criticized in some quarters for its errors.kr, eg 19 I now know muchabout world cinema than I did two months ago On the positive side, I have an increased appreciation for the evolution of the art form, especially as that evolution manifests itself in film traditions from cultures other than Hollywood s The negative aspect of this overview, however, was the amount of time spent dwelling on the economics and business side of the cinema Going in, I was hoping for adetailed analysis of the aesthetics of film, and I wish they had spent I now know muchabout world cinema than I did two months ago On the positive side, I have an increased appreciation for the evolution of the art form, especially as that evolution manifests itself in film traditions from cultures other than Hollywood s The negative aspect of this overview, however, was the amount of time spent dwelling on the economics and business side of the cinema Going in, I was hoping for adetailed analysis of the aesthetics of film, and I wish they had spenttime in that area.Further, a plus and a minus can be chalked up for the many vignettes which pepper the text The insights into various performers and directors which these pieces provided were wonderful The downside was that there weren tof them The Oxford History of World Cinema is a brave attempt to encompass the history of cinema across the globe Thus, apart from the relatively familiar Hollywood story, we get an insight in cinematic developments in Africa, South America, and individual countries like France, Germany, India, Iran, Turkey, China and Japan This massive book looks further than narrative feature film, and includes chapters on e.g documentaries, avant garde cinema, animation film, silent serials, film music, race iss The Oxford History of World Cinema is a brave attempt to encompass the history of cinema across the globe Thus, apart from the relatively familiar Hollywood story, we get an insight in cinematic developments in Africa, South America, and individual countries like France, Germany, India, Iran, Turkey, China and Japan This massive book looks further than narrative feature film, and includes chapters on e.g documentaries, avant garde cinema, animation film, silent serials, film music, race issues and the role of television The book is written by numerous authors, and the quality of the contributions vary At worst, the chapter becomes an endless list of names of filmmakers and films especially the chapter on post war French cinema is a disappointment in that respect , but mostly the quality of the writing is of a high quality for example, the subsequent chapters on Italian and Spanish post war cinema are muchinsightful than the French one Because of this multi faceted approach, some subjects get a rather incomplete treatment For example, there s a whole chapter on silent comedy, but none on subsequent developments in the genre.Nevertheless, this book is both a great introduction to world cinema and a wonderful reference work I wouldn t recommend anyone to read it from start to end, like I did, but it s an absolute great book to browse, and to let one dive intoobscure subjects, like, say, cinema from East Germany I had to read this book for my English passion project My project has to do with how different cultures effect filmmaking so this book was extremely helpful This book provided a lot of information regarding different countries and how their filmmaking ways changed throughout the different eras of film, such as silent, sound, and modern The answer to my question was completely answered in this book, with the help of the other sources I had There are a lot of details in this book which really I had to read this book for my English passion project My project has to do with how different cultures effect filmmaking so this book was extremely helpful This book provided a lot of information regarding different countries and how their filmmaking ways changed throughout the different eras of film, such as silent, sound, and modern The answer to my question was completely answered in this book, with the help of the other sources I had There are a lot of details in this book which really helps me for the situation that I am using it for Another good thing about this book is that it does not just mainly focus on one countrythan others, except the United States which is to be expected because we have a lot of influence on other countries My only complaint about this book would have to be that it is extremely long which may be time consuming for some people I understand though that it has to be long because it does contain a lot of information over an extensive period of time I would definitely recommend this book if you are interested in seeing how cinema has changed over the years in the United States, but other countries as well, and how culture effects filmmaking The Oxford History of World Cinema is an amazingly well put together overview of international motion picture history Whether you are interested in the technical, commercial or artistic development of cinema a pretty comprehensive guide awaits you in this book The various contributors all of them particularly knowledgable regarding specific areas of film history provide a wealth of information about the single most important modern art form The single element about this book that I am The Oxford History of World Cinema is an amazingly well put together overview of international motion picture history Whether you are interested in the technical, commercial or artistic development of cinema a pretty comprehensive guide awaits you in this book The various contributors all of them particularly knowledgable regarding specific areas of film history provide a wealth of information about the single most important modern art form The single element about this book that I am enjoying the most are the spotlights on particularly influential individuals writers, producers, directors, actors, etc whose contributions left an indelible mark on the world of film Amid the deluge of historical information, it s great to be able to stop and focus on the personal journeys of people who have become enigmatic icons It has a way of making the history come alive I will admit that the sheer volume of information can be overwhelming at times, but if you are interested at all in film, it is fascinating to discover the people and events that have made movies become such a sophisticated form of art over the past century As far as film textbooks go, this is the best one I ve had to read so far An update would make this already great book greater. Exhaustive and exhausting Not a history of film, but a history of the film industry or tradition around the world. Excellent resource for all things cinema Like all overviews, one always hopes for a bitdetail when it comes to certain directors, national cinemas, and movements It serves its purpose though.

The Oxford History of World Cinema MOBI Æ History of
    This guide aims to show you how to download story of the major inventions and developments in the cinema business, its institutions, genres, and personnel, and they outline the evolution of national cinemas round the world the varied and distinctive film Oxford History of MOBI ☆ traditions that have developed alongside Hollywood A unique aspect of the book are the special inset features on the film makers and personalities Garbo and Godard, Keaton and Kurosawa, Bugs Bunny and Bergman who have had an enduring impact in popular memory and cinematic lore With overillustrations, a full bibliography, and an extensive index, this is the buff s ultimate guide to cinema worldwide. . Actually an impressive achievement, though no single film survey reference book is ever definitive, and this certainly isn t, but the number of name scholars and experts employed for the entries is staggering, and the organization is glitzy and attractive in a comforting compartmentalized way rather than for mere show A copy of this is available to borrow online at archive.org, and if you hunt around enough you might find a downloadable PDF I wouldn t mind having a hard copy but it s not a pri Actually an impressive achievement, though no single film survey reference book is ever definitive, and this certainly isn t, but the number of name scholars and experts employed for the entries is staggering, and the organization is glitzy and attractive in a comforting compartmentalized way rather than for mere show A copy of this is available to borrow online at archive.org, and if you hunt around enough you might find a downloadable PDF I wouldn t mind having a hard copy but it s not a priority Below are some notes I made about this guide a few years ago The Oxford History of World Cinema, by Geoffrey Nowell Smith ed , 1996, Oxford University Press, Oxford, England an improved revision of 1976 s The Oxford Companion to Film Densely packed and useful, though criticized in some quarters for its errors.kr, eg 19 I now know muchabout world cinema than I did two months ago On the positive side, I have an increased appreciation for the evolution of the art form, especially as that evolution manifests itself in film traditions from cultures other than Hollywood s The negative aspect of this overview, however, was the amount of time spent dwelling on the economics and business side of the cinema Going in, I was hoping for adetailed analysis of the aesthetics of film, and I wish they had spent I now know muchabout world cinema than I did two months ago On the positive side, I have an increased appreciation for the evolution of the art form, especially as that evolution manifests itself in film traditions from cultures other than Hollywood s The negative aspect of this overview, however, was the amount of time spent dwelling on the economics and business side of the cinema Going in, I was hoping for adetailed analysis of the aesthetics of film, and I wish they had spenttime in that area.Further, a plus and a minus can be chalked up for the many vignettes which pepper the text The insights into various performers and directors which these pieces provided were wonderful The downside was that there weren tof them The Oxford History of World Cinema is a brave attempt to encompass the history of cinema across the globe Thus, apart from the relatively familiar Hollywood story, we get an insight in cinematic developments in Africa, South America, and individual countries like France, Germany, India, Iran, Turkey, China and Japan This massive book looks further than narrative feature film, and includes chapters on e.g documentaries, avant garde cinema, animation film, silent serials, film music, race iss The Oxford History of World Cinema is a brave attempt to encompass the history of cinema across the globe Thus, apart from the relatively familiar Hollywood story, we get an insight in cinematic developments in Africa, South America, and individual countries like France, Germany, India, Iran, Turkey, China and Japan This massive book looks further than narrative feature film, and includes chapters on e.g documentaries, avant garde cinema, animation film, silent serials, film music, race issues and the role of television The book is written by numerous authors, and the quality of the contributions vary At worst, the chapter becomes an endless list of names of filmmakers and films especially the chapter on post war French cinema is a disappointment in that respect , but mostly the quality of the writing is of a high quality for example, the subsequent chapters on Italian and Spanish post war cinema are muchinsightful than the French one Because of this multi faceted approach, some subjects get a rather incomplete treatment For example, there s a whole chapter on silent comedy, but none on subsequent developments in the genre.Nevertheless, this book is both a great introduction to world cinema and a wonderful reference work I wouldn t recommend anyone to read it from start to end, like I did, but it s an absolute great book to browse, and to let one dive intoobscure subjects, like, say, cinema from East Germany I had to read this book for my English passion project My project has to do with how different cultures effect filmmaking so this book was extremely helpful This book provided a lot of information regarding different countries and how their filmmaking ways changed throughout the different eras of film, such as silent, sound, and modern The answer to my question was completely answered in this book, with the help of the other sources I had There are a lot of details in this book which really I had to read this book for my English passion project My project has to do with how different cultures effect filmmaking so this book was extremely helpful This book provided a lot of information regarding different countries and how their filmmaking ways changed throughout the different eras of film, such as silent, sound, and modern The answer to my question was completely answered in this book, with the help of the other sources I had There are a lot of details in this book which really helps me for the situation that I am using it for Another good thing about this book is that it does not just mainly focus on one countrythan others, except the United States which is to be expected because we have a lot of influence on other countries My only complaint about this book would have to be that it is extremely long which may be time consuming for some people I understand though that it has to be long because it does contain a lot of information over an extensive period of time I would definitely recommend this book if you are interested in seeing how cinema has changed over the years in the United States, but other countries as well, and how culture effects filmmaking The Oxford History of World Cinema is an amazingly well put together overview of international motion picture history Whether you are interested in the technical, commercial or artistic development of cinema a pretty comprehensive guide awaits you in this book The various contributors all of them particularly knowledgable regarding specific areas of film history provide a wealth of information about the single most important modern art form The single element about this book that I am The Oxford History of World Cinema is an amazingly well put together overview of international motion picture history Whether you are interested in the technical, commercial or artistic development of cinema a pretty comprehensive guide awaits you in this book The various contributors all of them particularly knowledgable regarding specific areas of film history provide a wealth of information about the single most important modern art form The single element about this book that I am enjoying the most are the spotlights on particularly influential individuals writers, producers, directors, actors, etc whose contributions left an indelible mark on the world of film Amid the deluge of historical information, it s great to be able to stop and focus on the personal journeys of people who have become enigmatic icons It has a way of making the history come alive I will admit that the sheer volume of information can be overwhelming at times, but if you are interested at all in film, it is fascinating to discover the people and events that have made movies become such a sophisticated form of art over the past century As far as film textbooks go, this is the best one I ve had to read so far An update would make this already great book greater. Exhaustive and exhausting Not a history of film, but a history of the film industry or tradition around the world. Excellent resource for all things cinema Like all overviews, one always hopes for a bitdetail when it comes to certain directors, national cinemas, and movements It serves its purpose though. "/>
  • Paperback
  • 824 pages
  • The Oxford History of World Cinema
  • Geoffrey Nowell-Smith
  • English
  • 22 September 2019
  • 0198742428